Tuesday, March 23, 2010
Stop Motion
Artist Spotlight: Shirin Neshat
A Personal Touch: Student Interview
Tuesday, March 9, 2010
Social Networking - Part Two: The Art Version
So now that we’ve fleshed out some information about the basics of social networking sites – and some of my own opinion about them – I think it’s high time we talked about where art fits into all this. The plan here is to give you some links to what I immediately think of when I think social networking for art. I’m sure there are PLENTY more places all over the web, but these are ones that should not be missed, for starters.
Cool thing about this website is you can upload an image, and then you’re given ways to share it – either links, or embedding codes, etc. Two posts below this one, I posted two photos. How did I do that? I created an account. Uploaded my pictures. Copied the HTML codes and pasted them into my “New Post” – and voila, I have embedded photographs that I didn’t steal from anywhere! Yipee! Careful though, I’m not implying that just because it comes from your photobucket account means you didn’t potentially take it from somewhere you weren’t supposed to. But you catch my drift. Anyway, what’s new about this site is that you can share your albums with other people on the site and use their links. I’m not extremely familiar with how privacy settings work on the site, but it’s a really cool way to share photographs and possibly artwork.
LiveJournal (LJ) –
I don’t have one of these, nor do I know exactly how the site works. But one of my very best friends spends oodles of her time reading fashion and art LJs. So, I’m going to take it from her that it’s a fantastic place to spread the love – i.e. your creativity and your thoughts – all in one place! But nothing, in my opinion, compares to this next one…
DeviantART (dA) –
So essentially this place is one for art, art, ART! If you haven’t heard of this website, I’m genuinely surprised. Check it out. Seriously. Okay, after you finish reading this. DeviantART is a one-stop shop for up-and-coming artists, illustrators, graphic designers, and photographers, to create a profile and show off their stuff. I haven’t yet branched out to the site yet, myself (I’ve stuck with the lame-old photo album on Facebook), but I think it would be really cool and exciting to have people follow your stuff. Must be why the site is so popular!
And now, I’m fairly certain you all have had enough of me for a bit! Time for a breather!
Social Networking - Part One
Social Networking sites have flourished during my teenage years. I remember in 9th grade I got a MySpace and a Xanga and I thought these were THE coolest things to do. I could talk to some of my friends, post notes about whatever was on my mind, and change my profile picture – on both sites. Little by little, it started to change. MySpace got a little weirder (sorry if this offends any users!), they started accommodating for a lot of music groups, and random people were friend requesting me. I just wasn’t convinced by the safety of it all. Xanga, plain and simple got the “uncool” stamp.
Then, the social networking gods answered my prayers – Facebook. Well, actually my best friend told me about it, because her brother was (is) a college student – and at that time Facebook was just beginning to expand to high school students. This was it. This was so much cooler, and so much more “in the know,” if you will. It felt exclusive. Maybe it was because not as many of my friends were on it, but soon they drank the Kool-Aid. Er…I mean, they signed up.
I can honestly say after four years, and the countless numbers of times Facebook has changed, I can’t even begin to explain what it looked like way back then. It was simpler, and maybe more boring. A whole lot less easy to “stalk” people, I’ll give you that. And when did “stalking” become a socially acceptable term, even, when it came to Facebooking? I mean, don’t get me wrong, I use it too – for lack of a better term. But I’m genuinely curious as to when it went viral. It must’ve been when the news feeds started…but I digress!
Anyway, like MySpace, Facebook was a place to share yourself and to connect with others. The security settings on Facebook, even this I can remember, far outweighed the options that MySpace offered. I’ve heard the MySpace has changed their game as of late, but I’ll be serious – no one is going to turn me off of Facebook. I spend more time connected to Facebook than I would care to share, and at this point, the only reason I don’t have a crack…sorry, Blackberry (or iPhone) is because I fear for the world if I were on Facebook even more so than I am now without one of those phones. But really, it may have made my life a little bit more distracting, but it gives us lazy people in the world a simple, easy way to keep an address book. Want to send your friend a message? No need to figure out their email or even their phone number. Just find them on Facebook.
Of course, I’m glorifying Facebook here (note of bias: I believe it’s rightfully so!), but I’m sure that these aspects apply on almost every social networking site that you find all over the Internet.
Anyway, what I really want to stress at the end of this post is: it’s all about connections! Whether it’s on a superficial level, or some sort of common interest. Maybe it’s something to do with music connections, or networking for your jobs. Maybe you meet a long-lost classmate, or become really close to a distant relative whom you didn’t have much contact with in the first place. Connections – it’s a pretty big world, and it’s nice to have something help make it feel a little bit more personal – a little bit more yours.
In case you’re wondering what this all has to do with art, be sure to keep your eyes peeled for installment numero dos!
Monday, March 8, 2010
Wait...is that an Adobe Ad??
Saturday, March 6, 2010
Cell Phone Use in Public - Response
Cellphones in Public: Social Interactions in a Wireless Era, by Lee Humphreys, explores the ideas of how “Singles” and “Withs” interact in public (813). Singles are those that are by themselves in public – often feeling vulnerable, leaving them to fidget in any way to occupy them. Withs are those that are in a couple-setting, having someone to talk to. Sometimes, a With can become a Single, if a With leaves for a moment (maybe to use the restroom), or if one person engages in another conversation – particularly, on a cell phone (814).
There were many parts of the study that I related to and with because they I’ve experienced them so many times before either first hand or in observation. When [the study] discusses how one reacts when one half the “With” ends up on the phone, leaving the second person to fidget in the meantime (816). In my experience, when I’m the one who gets the call, I feel really bad that I leave my friend with no one to talk to. So usually, in those situations, I cut the conversation as short as possible and most likely suggest that I will call that person back (and I do, as soon as I am by myself). The reason I feel bad is because I know how awkward it can be, if only for just five seconds, to be left with no one to occupy your attention. When I’m in that situation, I usually look to my phone. And even though I have no texts to respond to, or a missed call to return that that time, I still click around. I might even send a text to someone, even if unnecessary, just to occupy myself. The study also references how we listen in to conversations if in this situation, even though social norms dictate that we shouldn’t (818). I have experienced this more times than I could even begin to count – we don’t really mean to listen in. It’s just that we don’t have anything else to distract us, so we listen.
Usually after a friend gets off a call, after having listened in for most of it, I ask whom they were talking to. Sometimes we end up talking about their phone call – depending on how close of friends we are. Sometimes we also talk about it, because either me or the other (whoever was on the phone) just felt bad about being on the phone and wanted to explain why we made the other person walk, sit, or stand with no one or nothing to distract them.
The most interesting assertion of the study is of the “caller hegemony” (822). It’s preposterous – and yet, not completely unbelievable – that a person in a heated discussion would still pick up the phone if it rang in the middle of said discussion. Maybe it provides a much-needed breather from an argument, an idea that the study doesn’t really address. However, since Caller ID was still not as prevalent at the time of the study, it seems like they do not address some aspects also (823). Again, when one is in an argument, you might be more inclined to pick up the phone just to take a break. But, as the study suggests, most people look at their cell phone when it rings, then decide whether or not to answer (824). The study writes that if the Caller ID is unavailable, like it might be for a landline, people feel more inclined to answer it (824-825). However, in response to screening calls, I believe I would take a moment to decide whether or not to answer. When I’m by myself – and this is something the study does not address – and I’m not busy in another way, I’m always okay with answering the phone, regardless of who it is. I’d also rather answer a call at that moment, because I’d feel bad if I forgot to call them back. But I know that if the person calling had something important to talk to me about, they would either leave me a voicemail or text me afterwards to let me know.
More posts about the uses of technology in art are coming soon!

